Fern Martins and Jeffrey Samuels, "Design for ANCAAA-Boomalli exhibiton poster" 1988, reprinted 2021, digital print, reproduced courtesy of the artists.
Arone Meeks, "Mabo 25" 2017, screenprint, printed by Theo Tremblay, gift of the artist 2021, 2021.0003.003.
Avril Quaill, "Poster for 'Boomalli Au Go Go'" 1987, reprinted 2021, digital print, reproduced courtesy the aritst.
Brenda Croft, "Yours Truly, Mt. Isa Iarport, 13-9-60" 2018, pigment print, collection of the artist, courtesy Niagara Galleries, Melbourne.
Euphemia Bostock, "Possum Skin" 1990, screenprint on cotton, Kluge-Ruhe Aboriginal Art Collection, Museum purchase 2021, 2021.0006.003.
Euphemia Bostock, "Underwater (Aqua)" 1994, screenprint on cotton, Kluge-Ruhe Aboriginal Art Collection, Museum purchase 2021, 2021.0006.003.
Euphemia Bostock, "Underwater (Black)" 1994, screenprint on cotton, Kluge-Ruhe Aboriginal Art Collection, Museum purchase 2021, 2021.0006.003.
Bronwyn Bancroft, "Treaty" 1988, gouache on paper, collection of the artist.
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Fern Martins and Jeffrey Samuels, "Design for ANCAAA-Boomalli exhibiton poster" 1988, reprinted 2021, digital print, reproduced courtesy of the artists.
Arone Meeks, "Mabo 25" 2017, screenprint, printed by Theo Tremblay, gift of the artist 2021, 2021.0003.003.
Avril Quaill, "Poster for 'Boomalli Au Go Go'" 1987, reprinted 2021, digital print, reproduced courtesy the aritst.
Brenda Croft, "Yours Truly, Mt. Isa Iarport, 13-9-60" 2018, pigment print, collection of the artist, courtesy Niagara Galleries, Melbourne.
Euphemia Bostock, "Possum Skin" 1990, screenprint on cotton, Kluge-Ruhe Aboriginal Art Collection, Museum purchase 2021, 2021.0006.003.
Euphemia Bostock, "Underwater (Aqua)" 1994, screenprint on cotton, Kluge-Ruhe Aboriginal Art Collection, Museum purchase 2021, 2021.0006.003.
Euphemia Bostock, "Underwater (Black)" 1994, screenprint on cotton, Kluge-Ruhe Aboriginal Art Collection, Museum purchase 2021, 2021.0006.003.
Bronwyn Bancroft, "Treaty" 1988, gouache on paper, collection of the artist.
Fern Martins and Jeffrey Samuels, "Design for ANCAAA-Boomalli exhibiton poster" 1988, reprinted 2021, digital print, reproduced courtesy of the artists.
Arone Meeks, "Mabo 25" 2017, screenprint, printed by Theo Tremblay, gift of the artist 2021, 2021.0003.003.
Avril Quaill, "Poster for 'Boomalli Au Go Go'" 1987, reprinted 2021, digital print, reproduced courtesy the aritst.
Brenda Croft, "Yours Truly, Mt. Isa Iarport, 13-9-60" 2018, pigment print, collection of the artist, courtesy Niagara Galleries, Melbourne.
Euphemia Bostock, "Possum Skin" 1990, screenprint on cotton, Kluge-Ruhe Aboriginal Art Collection, Museum purchase 2021, 2021.0006.003.
Euphemia Bostock, "Underwater (Aqua)" 1994, screenprint on cotton, Kluge-Ruhe Aboriginal Art Collection, Museum purchase 2021, 2021.0006.003.
Euphemia Bostock, "Underwater (Black)" 1994, screenprint on cotton, Kluge-Ruhe Aboriginal Art Collection, Museum purchase 2021, 2021.0006.003.
Bronwyn Bancroft, "Treaty" 1988, gouache on paper, collection of the artist.

Boomalli Prints and Paper: Making Space as an Art Collective

We were making space for us that no one else was giving us. . . You don’t even realize at the time how groundbreaking it is, you’re doing it out of necessity.
— BRENDA L. CROFT

In 1987 ten artists founded a cooperative in Australia that demonstrated that Aboriginal art could be both urban and contemporary. They named the group Boomalli, which means ‘to strike’ or ‘make a mark’ in at least three Aboriginal languages. Those ten artists were Bronwyn Bancroft, Euphemia Bostock, Brenda L. Croft, Fiona Foley, Fernanda Martins, Arone Raymond Meeks, Tracey Moffatt, Avril Quaill, Michael Riley and Jeffrey Samuels.

As a collective, Boomalli helped to promote the idea of urban Aboriginal art. However, the ten artists had distinctive artistic and personal identities. The work in this exhibition cuts across multiple generations, sexual orientations, and language groups to defy both cultural and artistic expectations. The inclusive environment of Boomalli created a space for these identities to intersect. The spark lit by the founding members of Boomalli transformed what Aboriginal art could be, igniting a movement that spread across Australia.

The exhibition was curated as part of the graduate seminar, “Prints and Indigenous Peoples” led by Professor Douglas Fordham in the Art Department at the University of Virginia. It was curated by Karl-Magnus Brose, Ash Duhrkoop, Jennifer Marine, Emmy Monaghan, Brendan O’Donnell, and Elisabeth Rivard.

This exhibition is dedicated to the memory of Arone Meeks (1957-2021).

The exhibition and catalog were made possible by the generous support of Australia Council for the Arts, and at the University of Virginia by the Mellon Indigenous Arts Initiative, the Mapping Indigenous Worlds Lab, the Department of Art, the Institute for Humanities and Global Cultures, and the Vice Provost for the Arts.